INRTOA hightail itwright, poet, and director who became the major German manoeuvretist of the 20th century, Bertolt Brecht highly-developed what became know as epic, or nondramatic, theater. In Brechts view drama should non imitate reality, or want to convince audiences that what they be honoring is actually occurring, but should simu recent the epic poets craft and entirely present an account of then(prenominal) events. His theory is expounded in A Little Organum for the Theater (1948). A Marxist after the late 1920s, Brecht viewed mankind as victims of capitalist greed, but his aptitude as a playwright produced characters of fantastic depth and dimension. Eugen Berthold Friedrich Brecht was natural in Augsburg, Germany, on Feb. 10, 1898. Brecht entered the University of Munich as a medical assimilator in 1917, but he had more(prenominal) interest in books and drama than in medicine. Called into the German army, he served in a military hospital during the polish year of cosmos struggle I and became a pacifist. His runner play, Baal, was completed in 1918. His s play, Spartakus (renamed Drums in the Night), brought Brecht immediate information when it was first performed in 1922, and he was awarded the Kleist prize as the some promising new-fangled playwright of the year. In Berlin in the mid-1920s, Brecht worked briefly on a lower floor scoop Reinhardt at the German Theater.
Works of this period were the play A mans a Man (1926) and several operas with music by Kurt Weill?including The tuppeny Opera (1928), perhaps Brechts best-known work, and The Rise and slip by of the city of Mahagonny (1930). Fleeing Nazi Germany in 1933, Brecht lived in exile in Denmark for sextet years, Sweden and Finland briefly, and the United States from 1941 to 1947. Among the best-known plays from this period were Mother courage and Her Children (1941), The... If you lack to get a full essay, order it on our website:
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