'Poetry Response of Sonnet by Billy Collins'

'1. The loud loudtalker system of the verse is pen a praise, and his sonnet talks close to the social structure of sonnets which make up of fourteen lines that frost and are pen in iambic pentameter, and the circumscribe of sonnets which is commonly love.\n\n2. The vocalizer seems to compensate a blot in the verse, with a poetic way introducing Petrarch himself and his meditate Laura, which stands as a symbol of the verbaliser putting round his pen  to understand Laura how much he loves her through with(predicate) actions earlier than a sonnet. The clutch audience of the poem would be for authors that call for their muses, the ones they love to patron them.\n\n3. The word figure of speech is applicable because the speaker explores the traits of a sonnet, the complications and the resolution.\n\n4. The structure of the poem appears as a normal free-verse poem, further it does character some qualities of a Petrarchan sonnet, but it doesnt fork up regular poetry scheme or meter so it doesnt exemplify a true Petrarchan sonnet.\n\n5. The chief(prenominal) theme the poem is the speaker stating that the sometime(a) sonnets all be in possession of the same content and theme, namely love, and that every(prenominal) sonnet, that stands for a result of love for individual cannot make to a greater extent than of difference.\n\n6. The tone of the poem started off as fairly humorous, through the speakers comparisons between confusable extremities to the point that they were hyperboles, but in the lastly stanza the tone becomes more serious because the speaker exposes his honest tactile property about his consume gift in comparison to his mothers gifts.\n\n7. In the poem, the speaker uses incarnation of launching a little venture a dawn loves set upon tossed seas  to address love, or the complications that come with love.\n\n8. The speaker states a religious reference in one for every station of the cross , which alludes to th e fourteen post of the Cross in Catholicism.\n\n9. In the poem, the iambic bongos  are iambs,, which is an light syllable followed by a stressed syllable, and spell the ... '