Cezanne, Lowry and Landscapes Essay -- Visual Arts Paintings Art

Cezanne, Lowry and LandscapesCezannePaul Cezanne, who was the son of a plastered banker, became a painter inthe 1860s in Paris when he sidetrack his studies of Law. By 1874 he waspainting landscapes in the impressionistic publicner and had just about of hiswork included in their first exhibition held during that very alikeyear. He painted in the Impressionistic manner, but sheared shoot in adifferent direction to the main body of Impressionist painters. Themain body of Impressionist painters were have-to doe with with the fleetingeffects of light and colour, and in order to capture the surfaceimpression of that moment they had to work fluently and quickly. sanalysis was far more prolonged and pains-taking He spent so longanalysing his subjects that some of his work was never finished. beganto be more concerned with the use of colour in modelling objects andlandscape and as a room of expressing their underlying form. The basicideas of Cubism have been claimed to be present in his philosophy. Histheory was that the painter could always find the cone, the sphere andthe cylinder in Nature, and that all natural shapes were composed ofthese shapes at their most basic form. ancestral sufficient wealth tolive in rich seclusion in Provence near Aix. He needed this solitudeor he install it difficult getting on with others being naturally illat ease, neurotically sensitive and suffering from outbursts oftemper. His great contribution to art was to wee Impressionism solidto restore the careful analysis of form and structure that pervadedthe honest-to-god masters but to combine this with an intensity of colour andharmony, full of individual(prenominal) expression. In his landscapes he showed adeep feeling for the force of temperament in each sweeping line andchopping stroke of the brush, in the aggravated orange earth against theclear Provence skies.Always dissatisfied with his efforts, struggled unceasingly to shitthe truths of nature. He made many landsca pe paintings of the areawhere he lived and done them he achieved great success even in hisold age. umpteen of these landscapes like Route-Tournante pulse andglow with his free and painstaking analysis. department of the life force ofthis go for lies in the loose and patchy technique The effect is curiously striking in the subtle greens of the trees and the subtleearth tones. Part of the interest ... ...riel Decamps, Charles-Emile Jacque, and other minorlandscape and animal painters - e.g Brascassat/Rosa Bonheur.During the snatch half of the nineteenth century, the enlighten becamemore and more famous - the soma of painters in the school alsoincreased.Barbizon was the name of the area in France where members of thisschool settled down to paint. Jean-Francois Millet, together withTheodore Rousseau, became the centre - the nucleus of the Barbizoncommunity, and the reference prefigure for all the other Barbizonners -the other members of the Barbizon school. Millet settled down inBarbizon in 1849.has often been described as the initiator of the Impressionistmovement, and indeed he did develop many of the ideas that we saw inthe movement as it developed. It could be said that Lowry paintedlandscape in an Impressionist fashion as well, as his pictures arepainted in such a way as to make the viewer aware of the messagebehind the picture rather than the actual picture which has beendepicted using brushstrokes from a man of incredible painting skill. Apainting by has been included with this essay, on with areproduction of one of Lowrys pictures.