Female Authors and the Novel Essay

The contribution of female authors towards the development of the fresh is signifi targett. Indeed it can be argued that feminine sensibility plays a key role here. G K Chesterton describes the brisk as a feminine art clear, and he explains that it is the female eye for homely detail, as well as the genius to depict the intricacies of relationships, that make it so (39). These qualities are important because they serve to break the male tendency towards philosophy and idealism. Such tendencies must be crucify because the novel is aiming for an individualistic and democratic voice which is beyond all factionalism.The reckon for an individual voice had been the aim of literature since the Protestant Reformation. It was the aim excessively of the Enlightenment but the practical effect was only to introduce the laid formality of classicism. So the constraints of the Church had been replaced by just another form of constraint. Such constraints were overcome in the end by the fema le prose writers, and piecemeal over a long period. In this respect we will ascertain the two writers Aphra Behn and Mary Shelley, separated by a century and a half. The former presages the advent of the novel, while the latter perfects the form and paves the way for the great(p) Victorian age of the novel.Classicism was the key barrier to the development of the novel. all(a) efforts towards informality were frowned upon by the stalwarts of Augustan literature, led by Dryden and Pope, so the novel was perforce directed underground. Here it flowered in the hands of the women writers, who were largely ignored because they concentrated on sen whilental romance, and appealing to woman readers alone. Daniel Defoe is nowadays regarded as the first proper novelist, but it is plain to see that he has adopted a form established by the female writers, who produced largely trifling and salacious romances.Such a description may be applied to Aphra Behns Love Letters Between a nobleman an d His Sister, but it is also notable for being the first epistolary novel. Her reputation, however, rests on Oroonoko, a love layer involving an African prince captured by slave traders. though not yet a proper novel, it contains many innovations that point in that direction.Behn assumes a conversational tone with the readers in places, inspiring familiarity. It also contains an wise voice of narration, which was to become the most distinctive characteristic of the novel proper. However, she feels get to explain her omniscience, and so the narrator is tangentially involved in the story itself. She knows all the incidents in Africa because she has lived the slave plantation and has conversed with the African prince.By the time Mary Shelley writes Frankenstein, the novel form has almost come into its own element, and its narrative boasts such great novelists as Defoe, Fielding, Richardson, Sterne, Smollet and Austen. Nevertheless, Shelleys original contribution in not insignifican t. The voice of the novel reflects individual expression, and this has been largely perfect by this point. Shelley goes on to tackle the floor of individualism itself. It is the story of a mad scientist who cuts himself off from the world in order to create a being from assembles and inanimate organs.We discover similarities between the purport of the mad scientist and the project of the novelist giving life to his fictional creations. The novelist functions as an individual, and his is probably the loneliest occupation of all. At the same time it is his task to create individuals, purely from the imagination. Shelleys theme is at heart the mutual dependency of creator and creature. Though she is externally concerned with the misuse of science, and of the terrible consequences of mechanization, the underlying theme remains that of individualism. In this sense we may interpret her novel as an exploration of the limits of the novel.In conclusion, female writers can be said to be lar gely answerable for the development of the novel from the Restoration onwards. The evolution of the novel has avoided the limelight, yet the novel has been the primary vehicle for the advance of individualism. Only with the Industrial revolution and the heave of democracy does the novel burst forth as the principal agency of literature. Aphra Behn and Mary Shelley were key proponents in novels development.Works CitedBehn, Aphra. Oroonoko. Ed. Janet M. Todd. fresh York Penguin Classics, 2003.Chesterton, Gilbert Keith. The Victorian Age in Literature. Oxford Oxford University Press, 1966.Shelley, Mary. Frankenstein. New York Collectors Library, 2004.